“I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.” --Jimmy Page
Scott Henderson superimposing on the pentatonic....why?
As clearly explained, the pentatonic shape can take us places where we want to be. Scott Henderson explains how the B minor pentatonic shape can be taken a whole step up and a P5 up as well. The reason as stated in the video is that IF we put the B minor pentatonic scale in the dorian position or 2nd degree, then we are assumed to be in the A major scale.
The A major scale has 3 minor chords that we can bank on in order to make the journey more exciting!
F# minor (the relative minor in A major)
B minor (dorian mode in A major)
C# minor (phrygian mode in A major)
The 3 degrees can be interchanged. This adds flavor....!
Nothing wrong with sticking with just one of these over the key of A major, but spicing things up on the fretboard is Mr. Henderson's specialty. Now, choosing which one of these you will turn into a blues scale is completely up to you :)
No comments:
Post a Comment